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EAR Yoshino 912 Professional Tube Control Centre

Preamplifier

Relative price

above typical

Among the 29 preamplifiers in the catalogue, this one is above typical.

A band places a component against its peers and carries no price. It is deliberately the only price indicator on this page: a second one, measured against a different set, would narrow the two together far enough to give the figure away.

What it is

EAR 912 Professional Tube Control Centre — flagship valve preamplifier with on-board MM/MC phono stage. Studio-grade design used by mastering facilities (The Exchange London, Mobile Fidelity). Hand-built Cambridgeshire UK. Tim de Paravicini's reference creation.

Stereophile Class A (Art Dudley): "took the world by storm... a Class A preamplifier in every sense, and an heirloom-quality instrument that represents the apex of both build quality and design ingenuity... imaging that sounded more real to me than the overly precise sound I associate with the high-end audio salon experience."

Robert H. Levi (Positive Feedback): direct comparison vs Audio Research Reference 3 — "the E.A.R. was consistently more detailed, bold, and lifelike. The E.A.R. soundstaging was bigger and deeper (lots deeper)... imaging was decidedly more solid and richly focused."

Front-panel cartridge loading switches (3/6/12/40Ω SUT steps + gain attenuation -6dB/-12dB) make 912 the most flexible MC interface in any EAR product — outclasses 88PB which requires internal microswitches. Two phono inputs (dual turntable / dual tonearm support).

Competition record

Assessed against 7 rivals across the sixty systems: 2 head-to-heads won, 34 lost.

Where it gives ground

The dimension the engine names as the weakest link, counted across every head-to-head it lost.

  • quietness at rest ×34
  • vocal presence ×9
  • low-level clarity ×4
  • midrange truth ×1

Who it comes up against

Music First Audio Baby Reference V2

10 lost · Anchored, Artisan, Cavity-Native, Characterful, PRaT, Reference, Romantic, Silent Path

Against the Silent Path brief, the Music First Audio Baby Reference V2 keeps the slot decisively.

With the Whest Audio 60Se Pro, the pairing gives up most on quietness at rest.

With the Audio Note P1 SE, the pairing gives up most on quietness at rest.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier — but it loses here on fit: the pairing with the Whest Audio 60Se Pro gives up quietness at rest under the Silent Path weighting.

it was ghostly in its silenceHomeTheaterReview, Kessler, 2009
it was ghostly in its silenceHomeTheaterReview, Kessler, 2009

Audiolab 9000Q

9 lost · Anchored, Artisan, Characterful, PRaT, Reference, Romantic, Silent Path

Against the Anchored brief, the Audiolab 9000Q keeps the slot clearly.

With the Musical Fidelity M8x Vinyl, the pairing gives up most on quietness at rest.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the weaker preamplifier for that brief.

It sits well above the share of the budget this brief aims at the preamplifier position.

it was ghostly in its silenceHomeTheaterReview, Kessler, 2009

NVA P50SA MKII

8 lost · Anchored, Artisan, Cavity-Native, Intimate, PRaT, Reference

Against the Anchored brief, the NVA P50SA MKII keeps the slot clearly.

With the Longdog Audio P6100M (pair), the pairing gives up most on quietness at rest.

With the Rega Aria Mk3 MM/MC, the pairing gains most on quietness at rest.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier — but it loses here on fit: the pairing with the Longdog Audio P6100M (pair) gives up quietness at rest under the Anchored weighting.

it was ghostly in its silenceHomeTheaterReview, Kessler, 2009
it was ghostly in its silenceHomeTheaterReview, Kessler, 2009

Leema Neutron

4 lost · Cavity-Native, Characterful, Romantic

Against the Cavity-Native brief, the Leema Neutron keeps the slot clearly.

With the Leema Hydra II, the pairing gives up most on vocal presence.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier — but it loses here on fit: the pairing with the Leema Hydra II gives up vocal presence under the Cavity-Native weighting.

It sits well above the share of the budget this brief aims at the preamplifier position.

Exposure 3510 Preamplifier

2 lost · Artisan, Reference

Against the Artisan brief, the Exposure 3510 Preamplifier keeps the slot clearly.

With the Exposure XM9 Biamp 2x2 (4 units), the pairing gives up most on vocal presence.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier — but it loses here on fit: the pairing with the Exposure XM9 Biamp 2x2 (4 units) gives up vocal presence under the Artisan weighting.

It sits well above the share of the budget this brief aims at the preamplifier position.

Audio Note M2 Phono

1 lost · Intimate

Against the Intimate brief, the Audio Note M2 Phono keeps the slot clearly.

With the Audio Note P1 SE, the pairing gives up most on midrange truth.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier — but it loses here on fit: the pairing with the Audio Note P1 SE gives up midrange truth under the Intimate weighting.

It sits well above the share of the budget this brief aims at the preamplifier position.

reference EAR Tim de Paravicini valve preampEAR 912 Professional + Stereophile reviews

EAR Yoshino 868L (Line)

0 lost· 2 won · Intimate

Against the Intimate brief, the EAR Yoshino 912 Professional Tube Control Centre takes the slot by a whisker.

On its own merits the EAR Yoshino 912 Professional Tube Control Centre is the stronger preamplifier for that brief.

It sits well above the share of the budget this brief aims at the preamplifier position.

What the reviewers said

reference EAR Tim de Paravicini valve preamp EAR 912 Professional + Stereophile reviews· Harmonic texture
it was ghostly in its silence HomeTheaterReview, Kessler, 2009· Electrical noise floor
unusually noiseless, very little tube rush and literally no hum Stereophile, Dudley, 2005· Low-level noise floor
a superbly quiet preamp Stereophile Measurements (Atkinson), 2005· Low-level noise floor
so good at retrieving very subtle details Stereophile, Dudley, 2005· Micro-dynamic resolution
the soundstage snaps into place, cavernous depth HomeTheaterReview, Kessler, 2009· Spatial resolution
timbrally uncolored, enough warmth for realism Stereophile, Dudley, 2005· Harmonic texture

How it scores

Clarity

  • Electrical noise floor 82 from listening evidence
  • Spatial resolution 76 from listening evidence

Voice

  • Harmonic texture 77 from listening evidence

LowerVolume

  • Low-level noise floor 82 from listening evidence
  • Micro-dynamic resolution 82 from listening evidence

Specifications

is balanced internalTrue
is dual monoFalse
has built in phonoTrue
phono typeMM/MC
rca inputs6
xlr inputs2
din inputs0
line input impedance kohm50.0
line input sensitivity mv150.0
rca outputs2
xlr outputs2
din outputs0
output impedance ohm150
output max v25.0
psu upgrade portFalse
headphone outFalse
internal bass managementnone
gain db54.0
snr db90.0
thd pct0.05
frequency response hz5/100000
dimensions mm480/175/410
weight kg18.0
notes