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Tom Evans Groove+ SRX MkII

Phono stage

Relative price

above typical

Among the 44 phono stages in the catalogue, this one is above typical.

A band places a component against its peers and carries no price. It is deliberately the only price indicator on this page: a second one, measured against a different set, would narrow the two together far enough to give the figure away.

What it is

Tom Evans Audio Design — Aberbargoed, South Wales, UK. The Groove+ SRX MkII sits two steps below the Mastergroove SR flagship in Tom Evans' six-model phono stage range. SRX denotes second-generation "Super-Regulated" Lithos PSU + distortion cancellation circuitry.

Key SRX feature: distortion cancellation circuitry (vs simpler topology of Microgroove+ X). At Groove+ SRX tier and above, Tom Evans implements active distortion cancellation in addition to ultra-low noise regulation — this is the differentiating step-up from lower Groove tiers.

Lithos PSU technology: external multi-rail Lithos-regulated PSU box separate from main phono chassis. Multiple transformers + multiple Lithos regulation stages = ultra-low noise floor approach. Tom Evans' core engineering thesis: "the quieter this crucial part of the amplification chain is the wider the bandwidth and the more you will be able to hear" (The Ear).

The Audio Beatnik review (3-month audition): "I got taken on an unexpected trip... down a couple of new audio paths and resulted in me being a more educated audio listener." Praised resolution, detail extraction, and distortion-cancellation benefit at this tier.

Build: larger black acrylic casework than Microgroove (non-magnetic philosophy) + separate larger external PSU box. Aberbargoed Wales hand-built by Tom Evans personally. Boutique UK Welsh audio manufacturer.

Cartridge compatibility: same MC-focused gain band as Microgroove+ (0.2-0.6mV optimum). Configuration set at factory — discuss with Tom Evans before order. MC focus is by design — the Groove range is positioned as ultimate MC phono stages where ultra-low noise matters most. For MM use, lower-tier Microgroove+ X MM-configured is sufficient.

Competition record

Assessed against 9 rivals across the sixty systems: 1 head-to-head won, 40 lost.

Where it gives ground

The dimension the engine names as the weakest link, counted across every head-to-head it lost.

  • quietness at rest ×36
  • low-level clarity ×18

Who it comes up against

Naim NVC TT MM/MC

14 lost · Anchored, Artisan, BBC Sound, Cavity-Native, Characterful, Intimate, PRaT, Reference, Romantic

Against the Intimate brief, the Naim NVC TT MM/MC keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on low-level clarity.

With the NVA P50SA MKII, the pairing gains most on tonal body.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the van den Hul The Frog gives up low-level clarity under the Intimate weighting.

quieter power suppliesThe Ear / 6moons — Groove+ SRX
RIAA tracking within +/-0.1dBSPEC: RIAA accuracy +/-0.1dB (manufacturer)

Musical Fidelity M8x Vinyl

8 lost · Anchored, Characterful, PRaT, Romantic

Against the Anchored brief, the Musical Fidelity M8x Vinyl keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on quietness at rest.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the van den Hul The Frog gives up quietness at rest under the Anchored weighting.

lower noise floorThe Ear — Groove+ SRX MkII review
lower noise floorThe Ear — Groove+ SRX MkII review

Rega Aura Reference MC

7 lost · BBC Sound, Cavity-Native, Intimate, Reference

Against the Intimate brief, the Rega Aura Reference MC keeps the slot decisively.

With the van den Hul The Crimson, the pairing gives up most on low-level clarity.

With the EAR Yoshino 868L (Line), the pairing gives up most on low-level clarity.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the van den Hul The Crimson gives up low-level clarity under the Intimate weighting.

quieter power suppliesThe Ear / 6moons — Groove+ SRX
quieter power suppliesThe Ear / 6moons — Groove+ SRX

Rega Aria Mk3 MM/MC

4 lost · Anchored, Characterful, PRaT, Romantic

Against the Anchored brief, the Rega Aria Mk3 MM/MC keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the van den Hul The Frog gives up quietness at rest under the Anchored weighting.

It sits well above the share of the budget this brief aims at the phono stage position.

lower noise floorThe Ear — Groove+ SRX MkII review

EAR Yoshino 88PB MM/MC

3 lost · Artisan, Reference

Against the Artisan brief, the EAR Yoshino 88PB MM/MC keeps the slot decisively.

With the van den Hul The Colibri, the pairing gives up most on quietness at rest.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the van den Hul The Colibri gives up quietness at rest under the Artisan weighting.

lower noise floorThe Ear — Groove+ SRX MkII review
lower noise floorThe Ear — Groove+ SRX MkII review

Whest Audio 60Se Pro

2 lost · Silent Path

Against the Silent Path brief, the Whest Audio 60Se Pro keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the Goldring Eroica HX MC gives up quietness at rest under the Silent Path weighting.

It sits well below the share of the budget this brief aims at the phono stage position.

lower noise floorThe Ear — Groove+ SRX MkII review

Whest Audio TITAN Pro II

1 lost · Silent Path

Against the Silent Path brief, the Whest Audio TITAN Pro II keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the Goldring Eroica HX MC gives up quietness at rest under the Silent Path weighting.

It sits well below the share of the budget this brief aims at the phono stage position.

lower noise floorThe Ear — Groove+ SRX MkII review

Michell Apollo + Muse PSU

1 lost · Silent Path

Against the Silent Path brief, the Michell Apollo + Muse PSU keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on quietness at rest.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage — but it loses here on fit: the pairing with the Goldring Eroica HX MC gives up quietness at rest under the Silent Path weighting.

lower noise floorThe Ear — Groove+ SRX MkII review
lower noise floorThe Ear — Groove+ SRX MkII review

Cyrus Classic PHONO

0 lost· 1 won · Vocals-First

Against the Vocals-First brief, the Tom Evans Groove+ SRX MkII takes the slot by a whisker.

On its own merits the Tom Evans Groove+ SRX MkII is the stronger phono stage for that brief.

It sits well above the share of the budget this brief aims at the phono stage position.

Systems it is part of

What the reviewers said

recreates the ambience of the recording venue... borders on the hypnotic 6moons / The Ear — Tom Evans Groove+ reviews· Spatial naturalness
lower noise floor The Ear — Groove+ SRX MkII review· Electrical noise floor
quieter power supplies The Ear / 6moons — Groove+ SRX· Low-level noise floor
let more of the music through The Ear — Groove+ SRX MkII· Micro-dynamic resolution
resolve The Ear — Groove+ SRX MkII· Spatial resolution
noise floor pushed much lower than usual The Ear (Kennedy) 2025 (Mk3)· Low-level noise floor
so much more dynamic range... vivid with life The Ear (Kennedy) 2025 (Mk3)· Micro-dynamic resolution
spaces between musicians... instruments so real The Ear (Kennedy) 2025 (Mk3)· Spatial resolution
tone particularly well resolved The Ear (Kennedy) 2025 (Mk3)· Harmonic texture
RIAA tracking within +/-0.1dB SPEC: RIAA accuracy +/-0.1dB (manufacturer)· Tonal body

How it scores

Clarity

  • Electrical noise floor 82 from listening evidence
  • Spatial resolution 78 from listening evidence

Voice

  • Tonal body 72 from listening evidence
  • Harmonic texture 74 from listening evidence
  • Spatial naturalness 82 from listening evidence

LowerVolume

  • Low-level noise floor 82 from listening evidence
  • Micro-dynamic resolution 82 from listening evidence

Specifications

mm capableFalse
mc capableTrue
mc load resistance options ohm100/200/300/400/500
mc load capacitance options pf100.0/200.0/300.0/400.0/500.0
riaa accuracy db0.1
rumble filterFalse
output impedance ohm12
balanced outputFalse
psu externalTrue
notes