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Naim StageLine S (MC)

Phono stage

Relative price

below typical

Among the 44 phono stages in the catalogue, this one is below typical.

A band places a component against its peers and carries no price. It is deliberately the only price indicator on this page: a second one, measured against a different set, would narrow the two together far enough to give the figure away.

What it is

Discrete BC components SFR25 metal-film resistors; polystyrene RIAA caps with 0.1% tolerance; tantalum + electrolytic PSU rail caps. Card-based circuit derived from NAC32/72 phono cards.

Compliant with MC-only constraint for upper tiers (S/K/E variants). N (MM-only) variant disqualified from M/H/Hi tiers per the standalone-phono rule.

Competition record

Assessed against 10 rivals across the sixty systems: it takes the slot in none of its 55 head-to-heads.

Where it gives ground

The dimension the engine names as the weakest link, counted across every head-to-head it lost.

  • quietness at rest ×27
  • midrange truth ×15
  • low-level clarity ×14
  • rhythmic grip ×6
  • bass weight ×3

Who it comes up against

Rega Aria Mk3 MM/MC

14 lost · Anchored, Artisan, BBC Sound, Cavity-Native, Characterful, Intimate, PRaT, Reference, Romantic, Silent Path

Against the Anchored brief, the Rega Aria Mk3 MM/MC keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on quietness at rest.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

dying into an inky black backgroundGramophone (Fraser), 2001 (StageLine N, MM)

Naim NVC TT MM/MC

14 lost · Anchored, Artisan, BBC Sound, Cavity-Native, Characterful, Intimate, PRaT, Reference, Romantic

Against the Intimate brief, the Naim NVC TT MM/MC keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on low-level clarity.

With the NVA P50SA MKII, the pairing gains most on tonal body.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

seemingly infinite bass responseEnjoy the Music (Lyle), 2024 (system)

Musical Fidelity M8x Vinyl

8 lost · Anchored, Characterful, PRaT, Romantic

Against the Anchored brief, the Musical Fidelity M8x Vinyl keeps the slot decisively.

With the van den Hul The Frog, the pairing gives up most on bass weight.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

dying into an inky black backgroundGramophone (Fraser), 2001 (StageLine N, MM)

Rega Aura Reference MC

7 lost · BBC Sound, Cavity-Native, Intimate, Reference

Against the Intimate brief, the Rega Aura Reference MC keeps the slot decisively.

With the van den Hul The Crimson, the pairing gives up most on midrange truth.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

prefers resolution to texture and timbreGramophone (Fraser), 2001 (StageLine N, MM)

Tom Evans Groove+ SRX MkII

3 lost · Vocals-First

Against the Vocals-First brief, the Tom Evans Groove+ SRX MkII keeps the slot decisively.

With the Etsuro Urushi Gold MC, the pairing gives up most on midrange truth.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

prefers resolution to texture and timbreGramophone (Fraser), 2001 (StageLine N, MM)

EAR Yoshino 88PB MM/MC

3 lost · Artisan, Reference

Against the Artisan brief, the EAR Yoshino 88PB MM/MC keeps the slot decisively.

With the van den Hul The Colibri, the pairing gives up most on quietness at rest.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

dying into an inky black backgroundGramophone (Fraser), 2001 (StageLine N, MM)
dying into an inky black backgroundGramophone (Fraser), 2001 (StageLine N, MM)

Whest Audio 60Se Pro

2 lost · Silent Path

Against the Silent Path brief, the Whest Audio 60Se Pro keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on low-level clarity.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

Cyrus Classic PHONO

2 lost · Vocals-First

Against the Vocals-First brief, the Cyrus Classic PHONO keeps the slot decisively.

With the Etsuro Urushi Cobalt Blue MC, the pairing gives up most on midrange truth.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

prefers resolution to texture and timbreGramophone (Fraser), 2001 (StageLine N, MM)

Whest Audio TITAN Pro II

1 lost · Silent Path

Against the Silent Path brief, the Whest Audio TITAN Pro II keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on low-level clarity.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

It sits well below the share of the budget this brief aims at the phono stage position.

Michell Apollo + Muse PSU

1 lost · Silent Path

Against the Silent Path brief, the Michell Apollo + Muse PSU keeps the slot decisively.

With the Goldring Eroica HX MC, the pairing gives up most on low-level clarity.

With the Audiolab 9000Q, the pairing gives up most on quietness at rest.

On its own merits the Naim StageLine S (MC) is the weaker phono stage for that brief.

dying into an inky black backgroundGramophone (Fraser), 2001 (StageLine N, MM)

What the reviewers said

entry Naim MC phono, MM/MC variants by code Naim StageLine + Naim Audio positioning· Timing precision
all about speed and attack Gramophone (Fraser), 2001 (StageLine N, MM)· Presence & articulation
dying into an inky black background Gramophone (Fraser), 2001 (StageLine N, MM)· Electrical noise floor
prefers resolution to texture and timbre Gramophone (Fraser), 2001 (StageLine N, MM)· Harmonic texture

How it scores

Clarity

  • Electrical noise floor 74 from listening evidence

Voice

  • Presence & articulation 74 from listening evidence
  • Harmonic texture 66 from listening evidence

Rhythm

  • Timing precision 71 from listening evidence

Specifications

mm capableFalse
mc capableTrue
mm gain db35
mc gain db60
mm load resistance kohm47
mm load capacitance pf470
mc load resistance options ohm470
rumble filterFalse
output level mv100
output impedance ohm3
balanced outputFalse
dimensions mm121/57/187
psu externalTrue
psu optionsNaimUniti 2/NAIT XS 2/3/SUPERNAIT 2/3/NAC 152XS / 202 / 282 / 252 / 552/FlatCap XS/HiCap-DR/SuperCap
notes